ARMONIA (Harmony) tells of a subtle balance between inner space and the external world.
The room, inhabited by books, everyday objects and traces of life, preserves the sense of a discreet yet still perceptible human presence, as if the person who lived there had only just stepped away, leaving in the air their time, their thoughts and their sensitivity.
Beyond the large windows, the garden opens with light, breath and vitality, visually entering the domestic space and expanding its depth. Nature and interior do not oppose one another, but coexist in a silent relationship shaped by measure, attentiveness and continuity.
Culture, entrusted to the books and to the signs scattered throughout the room, completes the meaning of the work.
ARMONIA (Harmony) thus becomes a reflection on the possibility of finding a meeting point between interiority, nature and presence, in a suspended dimension where everything seems to coexist in balance and quiet.
