“A wall of faces” is an archival project that practices of giving priority to the “group” rather than the individual, in a square boundary, throughout collective of multiple faces. The collective of the forty (sixty-one for the whole work) individuals souls, in an identical size of their residences and in a similar subdued tone, explore the harmonious nature of collectivism, while the numerous individuals in restricted emotions with uncomfortably distorted facial features, pale genzi tonality, and militaristic olive pallets disclose the Asian constrained social structures.
