A key element of my artistic practice is a physiologically heightened sensitivity to color — an innate perceptual intensity that has shaped
the way I interact with the visual world. This unique sensibility allows me to compose finely tuned, emotionally charged color combinations
that form the expressive foundation of my work. Color, in my practice, is more than a formal element — it is a language of affect, intuition, and transformation.
I work primarily in abstraction, where the absence of representation opens space for the viewer’s imagination. Without narrative or figuration, the focus shifts
to perception itself: to the intensity of hue, the rhythm of form, and the emotional atmosphere generated through painterly relationships. In this sense,
my work aligns with traditions of lyrical abstraction and affect theory, which consider how color can bypass rational interpretation and speak directly
to the body.
