Inspired by Ricardo Bofill’s Walden 7, this diptych explores the translation of architectural space into textile form. Rather than documenting the building, the works reinterpret its complex spatial structure through weaving, transforming three-dimensional architecture into two-dimensional surfaces.
The exterior façade and the interior courtyards of Walden 7 appear radically different, yet form a single architectural organism. Referencing introversion and extroversion, the diptych explores how seemingly opposite conditions exist in a relationship of mutual dependence. As in architecture, identity emerges through the coexistence of outward expression and inner experience.
Handwoven and stretched over wooden frames, the tapestries place textile in dialogue with architecture. Through the repetitive process of weaving, physical space is translated into rhythm, color, and structure, transforming architecture into a tactile image shaped by perception and memory.