Efrat Rubin works in the charged space between movement and stillness. An Israeli choreographer, dancer, painter and video artist, she takes the body as her first material — then watches it vanish, resurface, and settle into image. Her practice moves...
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Efrat Rubin works in the charged space between movement and stillness. An Israeli choreographer, dancer, painter and video artist, she takes the body as her first material — then watches it vanish, resurface, and settle into image. Her practice moves fluidly between contemporary dance, stop-motion animation, oil painting, robotics, augmented reality and site-specific performance, holding them all to a single question: how presence survives its own disappearance. Running through the work are the female gaze, the friction between technology and human connection, and the fragile possibility of Arab-Jewish coexistence.
Rubin trained in choreography at P.A.R.T.S. (Anne Teresa De Keersmaeker / ROSAS), Brussels, and studied Visual Communication at the Bezalel Academy of Arts and Design, Jerusalem. In 2014 she received the Israeli Ministry of Culture Award for Choreography. A member of the Alfred Gallery, Tel Aviv, she has exhibited across more than twelve countries. Her painting cycle “The Apple Doesn’t Fall” (thirty-six oil portraits, 2022) and video works such as “Winds” carry her movement research into surface, image, and the quiet after motion.