My upbringing was in the spirit of the order of construction and architecture and my brain with legal discipline, but my hands speak a language you can’t learn in books. I create at the point where logic ends and transformation begins. I am the bearer of the legacy of the family line, visions that built monuments (Ing. arch. Jan Rubý) and entered the history of the Czech Republic. My grandmother was a painter. Now I take this over and with humility and diligence after thousands of hours I build my own.
The BABYLON series was my purgatory. It is salt, dust, saturated pigments, fire and water, magic and Sumerian rituals. It is a testimony of the struggle for survival. My works are not decorative objects, they are entities that transform the energy of space, they see but do not judge, guardians who have their own algorithm. They are totems of resistance that emerged from my solitude and strength.
And now comes METATRON’ZOLDAMEDA.
My eyes change color like my works. I leave the gravity of the Earth and through Enochian magic and sacred geometry (Metatron) I constructed VEKTOR.AZRAEL 140-90-205cm/2026/looks like 100kg stone but lighter than a cat. Just one nail. A bridge between what we were and what we are becoming.
My art is absorbing, come touch the impossible. Come take a look, even you without sight. It is impossible not to perceive, not to feel.
My surfaces look like fossils. They are created by complex hand-made techniques, where the monolith is modified by colors, metallic glosses, fire, water, minerals, and Sumerian rituals under the moonlight. An original that cannot be imitated. One nail for installation.
In the era of digital art, I return to the original roots of art. My work is immersive, haptic, strongly energetic, literally changing the energy in the room, it is alive, chiaroscuro works that are achieved not because of my unmistakable signature, but thanks to the modification of the base itself, whose secret ingredient is emotions, pain, understanding, and closure, all of which I transform onto the canvas and thus pass on protection and strength to their future adoptive parents. I chose 3D sculptures because I see depth where others can barely see the surface. They are light as a cat, yet they carry the weight of my life. However, they present themselves best. I never know exactly what will be created, although I have perfectly mastered the material over 12 years and know it very perfectly, I still submit to it, not it to me, it simply has the last word.
The process of creation is driven by an absolute correlation between inner emotional state and physical manipulation of matter. Emotion here acts as a determinant of form, not as its interpretation.
Subtractive Monolithism: The work is realized through a strictly subtractive methodology, treating the primary mass as an indivisible whole. This process eschews additive layering, ensuring the formal integrity of the object.
Intuitive Genesis: The form is not predetermined; it emerges from a ritual-based, intuitive creation process driven by psychological necessity. The object dictates its own final morphology.
Extreme Mass-to-Volume Ratio: Despite monumental dimensions (depth reaching up to 205 cm), the works achieve extreme physical lightness (0.4–4.9 kg).
Spatial Suspension: Engineered for single-point suspension on a single nail, the installation prioritizes structural efficiency and site-specific adaptability.
Protective Guardianship: Each entity functions as a protective shield and a psychological nexus, bridging the gap between the viewer and the intangible.
Spatial Impact: The works possess inherent spatial authority, functioning as transformative objects that alter the energy of the environment.
Unreproducible Uniqueness: Each installation is a site-specific, unreproducible entity with museum-grade archival integrity.
Standardization: All methodologies are consolidated under the Saphea Phenomenal Spatial™ standard.
Immutable Provenance: The work is notarially verified and cryptographically secured on the Ethereum (Feb 10, 2026) and Bitcoin (Mar 30, 2026) blockchains, establishing a verifiable and irreversible audit trail for high-value asset management.
Single-point suspensionSpace-transforming presenceRitual-based creationPerformance functionMonolithic formLooks like 100kg, but lighter than a catImmersive presenceVolumetric layeringTransformative objectSpatial authorityTotem-like characterRare formatDistinctive relief signatureTactileSite-responsive / spatial work
Addendum: Technological Evolution & Provenance
My two original techniques have been unified into a single, limitless methodology: Saphea Phenomenal Spatial™. While preserving the exact same material essence and process, this evolution eliminates all dimensional constraints, shifting my work from 3D sculptures to monumental object installations. This proprietary know-how is officially protected by a notary deed, and since May, the authenticity of the works has been permanently certified on the Bitcoin and Ethereum blockchains.
