Between 2014 and 2016 he worked as a set designer for the Pergola and Goldoni theathers in Florence and, after graduating in Literature at the Alma Mater Studiorum - University of Bologna in 2020, with a thesis about the influence...
Read MoreBetween 2014 and 2016 he worked as a set designer for the Pergola and Goldoni theathers in Florence and, after graduating in Literature at the Alma Mater Studiorum - University of Bologna in 2020, with a thesis about the influence of Fedor Dostoevskij in Pier Paolo Pasolini's opera, he is admitted to the Master in Journalism Criticism at the International Academy of Dramatic Art Silvio D’Amico in Rome .2020 and 2021 are also the years of the assignment of two research projects: in 2020 for the Centro Studi Pier Paolo Pasolini in Casarsa della Delizia, where he takes part in a project around the novel form in the bibliography of the Friulian writer; in 2021 he is researcher for the Historical Archive of the Venice Biennale (Asac - Archivio Storico della Biennale di Venezia), where he concludes the work with the drafting and publication of the text Venezia 1 in Year 0. La mostra del (Ed. La Biennale di Venezia ) and with the participation in the “Tavola Rotonda Campiello Giovani / Biennale College”.
He collaborates with some online papers as a freelance, where he deals in particular with film and theater criticism, as well as cultural and social events and aspects of the Tuscan territory, and as a dramaturg with some informal theater collectives.
He is currently working on his academic thesis, in which he is editing a critical edition of the theatrical and medium-length monologue Il pratone del Casilino by Giuseppe Bertolucci.
