I have been drawn to art in all its forms since childhood, especially drawing. I’m not sure I can truly call myself self-taught, as I haven’t followed a formal art education, but I have attended numerous private courses and workshops....
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I have been drawn to art in all its forms since childhood, especially drawing. I’m not sure I can truly call myself self-taught, as I haven’t followed a formal art education, but I have attended numerous private courses and workshops. Early on, I focused on technique and portraiture, mostly working on commissions.
Later, I felt the need to find a more personal style; I turned my research towards visual ambiguity, where hyperrealism becomes abstraction. I paint in oil on canvas, without raised textures, translating close-ups of my own photographs into “sensations” suggested by the artwork’s title, even though they are fragments of reality.
My work exists in the subtle space between what is visible and what is intuited, inviting the viewer to slow down their gaze and lose the certainties of the immediate.
In this research, technique serves only to ensure that the aesthetic result is not accidental but the outcome of precise artistic exploration