The
photo series of nighttime portraits exudes a movie mood, dislocation in space
and time, as well as covertness of the faces on them, those remaining hidden
behind a big hair, smoke screen, hazy multiplication and overlapping. Haziness
of a sight contributes to the clarity of the illusion of movement, while some
pohotos look like a randomly frozen movie frame. Unexpected cross-sections and
effects resembling mishaps contribute
to displacement into supranatural realms. In a photographic space, just like in
a fairy tale, everything has been
happening always and never, with the moment of crucial discovery often
being nothing but a result of a mere mistake.