A perfectly mirrored diptych: two near-identical girls float against a blank white field. The left face gazes outward; the right one dreams with closed lids. Hair and contours are rendered in brisk, calligraphic black strokes, while olive-green shading softens cheeks and jaw. Between the faces runs a thin horizon of stippled foliage and a vertical spine of red triangle icons and black bars—minimal echoes of 8-bit platform blocks.
The work fuses the logic of a medieval retable with the instant symmetry of a webcam selfie. The screen becomes an altar: open eyes address the viewer, closed eyes retreat to an interior feed. The red glitch symbols stand in for digital “holy relics". Nature survives only as a pixel hedge—a fragile reminder of the physical within the virtual.
Entirely digital made: hand-drawn tablet lines and soft-brush shading in Photoshop, then duplicated, flipped and aligned. The result is a post-internet icon—half sacred panel, half game mirror—crafted from layers, masks and opacity tweaks rather than wood, gold and tempera.
