"24/7" changes our perspective. It does not show a weapon as a real object, but as an empty space. Where the weapon used to be, there is now an empty hole. At first glance, the bottom of the weapon case looks like a light table. The shape cut into the foam outlines the weapon, turning the inside of the case into a stage.
The installation is about the constant presence of war and destruction. In our global society, war is organized almost like an industrial service that runs all day and night. Arms companies, governments, and media companies are often not transparent about the real consequences of conflicts. "24/7" visualizes literal "whitewashing." It shows the human desire to hide the suffering of others, or the wish simply not to see it.
