The mutability of art as a social reflection goes hand in hand with historical processes as well as with its expressive and technological resources. Graffiti has resignified spaces through signs taking private property by storm with the legitimation of artistic practice. In the piece “Fragmentaciones temporales” several elements are combined. The concept of the passage of time, of how it manifests itself leaving its mark on architectural structures, the history and lifetime of graffiti as an urban manifestation and visual poetry, to build through a set of interventions a literary choreography and new tags.
