Water is a resource but also a witness. It holds memory.
In this piece, a white rectangular vessel holds a silicone mouth. From it, water flows endlessly in a closed loop, always returning, always slipping away. A gesture both complete and precarious.
The cycle becomes a stand-in for our relationship with water, essential, intimate, and often disturbingly one-sided.
The fleshlight, a strange and pointed symbol of extractive interaction, lays bare the absurdity of how we treat life’s essentials. Water, instead of being a living partner in our shared survival, becomes something to take from, over and over again.
Here, the mouth isn't just a spout. It's a reminder of how disconnected we’ve become from nature, from reciprocity, from the systems that keep us alive.
The Truth Will Come Back, But May Fade invites us to sit between the illusion of control and the truth of dependence.