"Simulacrum Fallax" is a work that delves into the intricate relationship between technology and spirituality in the modern era. The composition comprises two central elements that intertwine in a captivating visual enigma.
In the painting, a young figure is in a state of ecstasy, with her gaze elevated towards the unknown. Her face beautiful and earthly, and her expression reflects a mixture of awe and contemplation. This figure embodies the human quest for meaning in an increasingly digital world.
Suspended above the painting, a ceramic sculpture glazed in authentic gold represents an ambiguous deity, both divine and questionable. Its elevated position suggests a distant observer, raising questions about the nature of worship and divinity in the modern age.
At the core of the artwork, a smartphone is fastened with a golden screw, its screen fractured and shrouded in darkness. This image evokes the paradox of technology as a tool for both connecting and disconnecting human attention. It also recalls the eerie black screen of George Orwell's "1984," serving as a reminder of surveillance and omnipresent control in a hyperconnected society.
"Simulacrum Fallax" exists within a mysterious space where the sacred and the profane, worship and distraction, converge in a fascinating visual dance, challenging the viewer to explore the implications of technology on the human experience.
