The contemporary visual experience of pixel stones in works has undergone many changes, and different possibilities have emerged in the relationship between people and objects as well as in the way they are presented. For example, early human stone sculptures were projected and engraved on stones by humans, or modernist abstract sculptures were the reconstruction of stones by human subjective consciousness and the embodiment of a new order. Today, with the continuous upgrading of digital algorithms to the underlying logic of survival reality, The order of stones may break free from natural phenomena, and the work is pixelated under the filter column in the computer PS to reconstruct and re implant the order of stones. Pixarization has become our daily routine, and the presentation of stone pixels is highly rational, precise, and full of uncertainty. (The pixel graphic proportions calculated each time are different) In today's way, we have translated the order of stones together with the creators.
