The installation is a spatial structure composed of numerous suspended ceramic elements. Each of them exists in a state of potential movement — influenced by the wind or interaction with a person. Their random collisions produce an acoustic response — a dull, fragile ringing arising as a byproduct of the contact between physical bodies.
The work develops the theme of multiplicity and coexistence of realities — a central thread in my artistic practice. Each ceramic fragment functions as an autonomous unit, a module of the possible, activated through interaction. Their movement models a system without an external center of control, where individual trajectories intersect, creating constantly shifting configurations.
The installation has no fixed script. It is highly sensitive to context — both natural and social — and exists in a state of permanent uncertainty. The resulting soundscape is unique and unrepeatable — much like the very moment of perception itself.
Thus, the installation becomes a micro-model of reality, in which multiple forces act simultaneously and unpredictably, producing the world not as a stable structure but as a constantly fragmenting and reassembling field of experience.
Materials: steel, enamel, ceramic, threads
Dimensions: 300 x 150 x 150 cm, approx. 1600 ceramic elements
Location: Montenegro, Tivat, Porto Montenegro. Fountain square
