In the work Metamorphosis, the transformation process of the butterfly is explored as both a poetic and structural principle. The starting point is a natural phenomenon—the moment when the cocoon opens and a new being emerges. This transition between tension, growth, and unfolding forms the conceptual foundation of the piece.
The textile structure becomes a medium through which this process is made spatially visible. Through folding, tension, and compression of the material, lines and connections emerge that evoke organic networks or the delicate structure of wings. The material appears to unfold from within, as if an inner movement becomes visible on the surface.
Metamorphosis, however, is not only a reference to a natural process, but also to an inner psychological transformation. As in nature, change within the human psyche often occurs gradually and invisibly, until new forms of thinking, feeling, and being begin to emerge.
Rather than directly depicting nature, Metamorphosis interprets its underlying principles in an abstract form. The transformation of textile material into a sculptural, relief-like surface reflects processes of growth, transition, and inner development. The result is a work in which materiality, spatial tension, and psychological transformation converge into a quiet yet powerful presence.
