“Holy Trinity”
“Santíssima Trindade” from the Latin trinitas “triad”, from trinus “triple” defines three people, expressions or hypotheses. One in three. The RGB color model is based on
Young-Helmholtz's theories of color vision and Maxwell's color triangle. This proposal appears as the first scenic rehearsal, being designed for a specific place, a corridor. The issues of crossing and reducing the space of recoil for the perception of the piece interfere in
the construction and reading of this installation by the spectator / observer. The piece consists of 3 300x200 cm panels (approximately) of emulsified screen printing networks, one of each with the colors red, blue and green, as shown in the diagram. Each one will have, on
both sides, two lamps each, the color of the network emulsion, to reduce the reading of the different images. These will be programmed to react to the White Noise sound. It is intended to enhance the reflection around the construction of the image leading the observer /
spectator to immerse themselves in what is at its origin. “Santíssima Trindade” reflects on the doctrine and the birth of the image, bringing to the foreground what is not revealed (RGB), which manifests itself as a body, as a Son (Image). This duality is thought of in parallel
with the matrix as a result.