The work Four Horsemen of the Apocalypse brings together four sculptural rings—Illness, Hunger, War, and Death—previously conceived as autonomous works... Read More
The work Four Horsemen of the Apocalypse brings together four sculptural rings—Illness, Hunger, War, and Death—previously conceived as autonomous works and presents them as a single installation.
While each element can exist independently, their collective arrangement reveals a structure of escalation: from clinical order to deprivation, from deliberate violence to biological finality. The installation does not illustrate myth, but exposes consequence. The Riders are not allegorical figures; they are conditions produced by human systems and decisions.
The placement of the rings on an instrument of decision shifts the focus from symbolism to responsibility. Catastrophe is not shown as an abstract force, but as something enabled, handled, and carried forward. The work resonates with a contemporary moment in which established orders are eroding while no new order has yet taken their place.
By uniting the four Riders into a single spatial constellation, the installation transforms individual testimonies into a coherent sculptural language—one that reflects on causality, escalation, and the fragile boundary between control and collapse.
