An ephemeral sculpture made from a material regarded as the most banal and worthless, toilet paper, depicts the patron saint of those who are thought to be low or marginal, the wrong kind of people. In its surreal and humorous way, the work deals with social inequality in market-based society. The colour of the dress comes from underpaid female workers from nurses to waitresses, and the name from the positivist criminologist Cesare Lombroso who distinquished criminals from their looks.