Han(恨); [noun] a bitterly resentful, unfair, sad, and sad heart.The artist proceeds with the work on the recognition of the... Read More
Han(恨); [noun] a bitterly resentful, unfair, sad, and sad heart.
The artist proceeds with the work on the recognition of the existence of the object [Han]. In the form of stage monologue, it records and observes the limitation (existence) of the body object excluding the artist's emotions, and faces the object (portrait or audioity) through a view-finder (device). It implies meaning in a pure form without any device involved, and at the same time, the artist delivers a special message. This means that the subjective [Han] of the object and the limit we have in the symbolic order are seen in some form.
In image work, the artist implies meaning in form and color. The individual's han worked as a device that connects with human ethnicity beyond proof of existence - starting with the origin and leading to history. The absence (or margin) of the background is the concept of an apolla, which implies that 'the absence proves its existence'. With the oriental concept of symbiosis of being and not being, creating the concept of an oriental apola (harmony between yin and yang), rather than the concept of a Western apola (symbolizing the subject with isolation), the artist implies the concept of "restraint liberation is the most perfect way to bring out purity in isolated beauty."
-The origin of resentment ‘#.1’
Our existence is born into han and ends with han.After all, the beginning and the end are origin before history.(Walter Benjamin 'The Origins of German Tragedy') Then it becomes history. In the origin of the han, we try to prove its existence. The relationship between symbolic order (daily life, politics, religion, science, society, etc.) and chaos (individual emotion) is analyzed as a relationship between consciousness and unconsciousness or the field of elevation and impulsive flow. Humans always exist under a complex flow of symbolic order and chaos. Born in a fixed framework, the proof of existence is drawn with numerous bursts of emotion. The symbolic order is a number of replications, and we are trying to prove our existence as an independent object in a replicated world. Therefore, we live with the resentment of the replicated world.
-The origin of resentment ‘#.2’
