For NAWA, Corinna Rosteck (camera) and Sahar Domani (performance) create a rich landscape with their bodies at the center. Video, composition and textile installations are combined to create different panoramas that transcend the personal, the communal and the political. The multidisciplinary performance thematizes reproductive and sexual freedom, bodily autonomy. The interplay of movement and camera images explores the power of escaping reality. At the heart of the concept is the question of how joy and pain, fulfillment and loss, loneliness and isolation can be expressed with visual and physical elements to create a further spatial dimension. Can the body remember? Is the body ever really free? In movement, man flees from time, tries to grasp it, to overcome it, to let it flow, but also to change it. Corinna Rosteck is in search of images that make these "disturbing realities" tangible. Slipping away, submerging and sinking correspond to the expression of torn time - Riven in Time.
