Dissipation, flow, forces in flux. #3124 captures the textures and non linear forms of the acrylic paint with the lens of the camera, before the drying process even begins.
In this hybrid approach, fluidity and the interplay of textures act as central themes. The work also explores movement without borders, the merging of opposites, and particularly the beauty of transience.
#3124 — which is part of a series called « Courants Carmins » — uses fluidity as a metaphor for transformation, adaptability, and the seamless flow between states. The different materials dissolve, colors bleed, and forms shift constantly — nothing is ever fixed, but always in motion.
By capturing moments of transition, this work reflects on the idea that perception and experience are always changing, questioning the stability of boundaries and the permanence of form. As these irregular shapes dance across the surface, fluidity is not merely a property of the medium but also a lens through which time and spatial perception are reimagined.
