A queer man falls as a flying bird would land on water. Legs as wings, arms as legs. They fall outside the warm space of supported artists.
and diversity; feelings of loneliness, solidarity or envy towards those who can or cannot see them realized. Through the falling human being, typical gravitational failure, however, alludes to the duck that glides on the water, following a soft diagonal trajectory. The viewer observes a 'natural' event - speculated by the human performer - from afar, inside the urban and spatial sound of JD Zazie, taken from the 'noise' of a computer hard drive. One wonders: don’t we all dream of flying? But if we could, where would we land? And to say what or meet whom? And you? How do you feel, safe? Do you perceive the boundaries between you and the air, between you and the water, you and the other thing? Skin and space, water, soil, the density of pain, and the transparency of happiness. The artist therefore dreams of falling where they welcome him, with lightness, freedom and feathers. Is this port like this? The queer Imaginary is aimed at stimulating the observer who looks at the metaphor of self and other, independent of gender, personal, but dedicated to the lives of others. Located in different points of the old fortress, the artist is positioned outside the building, on the building, in the building, in diagonal trajectories that distort his perspective with respect to the observer.
