Series: The Game of SoulsI paint bodies that dream, touch, and merge in dreamlike and carnal scenes, where the human... Read More
Series: The Game of Souls
I paint bodies that dream, touch, and merge in dreamlike and carnal scenes, where the human and the animal coexist in symbolic, sensual, and chaotic landscapes. My practice focuses on large-scale figurative painting, primarily in acrylic on canvas, using a vibrant and saturated palette inspired by German Expressionism, Latin American muralism, Goya and Gauguin. Technically, I emphasize the expressive use of flat color, strong contours, and the balance between chaos and visual harmony. I work with free gestures and visual memory, painting without preliminary sketches, composing as I go, allowing forms to build, overlap, and contradict each other.
My works unfold as open narratives: fragmented stories that intertwine personal experiences, cultural references, and mythological or fetishistic elements. The figures I paint—often grotesque, exaggerated, or caricature-like—challenge traditional standards of beauty and anatomy, generating tensions between the sacred and the profane, the sensual and the violent, the tragic and the absurd. I paint as someone who simultaneously remembers and forgets.
Each image is a metaphor for the human condition, a visual diary where eroticism, tenderness, death, sacred art, and surrealism converge. My paintings don't seek to provide answers; they pose questions, provoke contradictions, and confront the viewer with their own gaze. Color, the body, and emotion are the primary vehicles of this experience. I paint to narrate, but also to allow the viewer to complete the story from their own perception.
Signed by MCH, this painting celebrates the plural, the imperfect, and the uncomfortable with a force that refers to both eroticism and the collective unconscious.
