The unsolvable paradox of trauma: self-defense directed at an external enemy turns into the destruction of one's own inner child. The heroine, identified with the figure in the foreground, in a desperate attempt to neutralize the aggressor (referring to the image of the performer Huzzy B), makes a fatal shot that hits not the threatening enemy, but a fragile, defenseless creature localized on the chest of the standing figure. Thus, the very idea of intimacy is explored: the attempt to protect oneself from an external threat inevitably leads to auto-aggression. Having said goodbye to her childhood version forever, the heroine cuts off her access to feelings, vulnerability, and genuine contact, becoming her own executioner. In this tragic scene, the murderer is merely a decorative element, a figure frozen in anticipation of the inevitable, a symbolic boundary beyond which there is no longer a struggle with the enemy, but rather an internal disintegration.
