My painting is inspired by nature, a way of moving from a real image to an abstract one.
This transformation is real for me, it becomes a deliberate act, a way of showing a visible structure. The work begins with photography: a first sampling of colour before going through the computer to turn photo into abstract images: a way to focus on a current problem.
The invisible becomes visible, it is a sensation specific to our condition as visitor or actor.
The visit to this glacier was an face to face with an appalling contradiction, the impression that we are losing something, the damage is visible and the degradation is well advanced, which I have translated through a fractured and synthetic image. This transition from a real image to an abstract one is a reflection of the feeling in the face of a reality that is difficult to recognize. . This transition from a real image to an abstract one is a reflection of the feeling in the face of a reality that is difficult to recognize. This technique allows me to tell a special feeling.
