“The cycle of glass mosaics was born with the same premise and scheme as the works with paper but with an opposite purpose at least from a visual point of view. Paradoxically, while on paper, delicate and graceful, the work appears violent, chaotic and dirty, with Glass and Cement the result is instead more subtle. Which is why I use white stucco and the windows are vandalized but with colors for rosettes. The combination, the contradiction, always returns. Break to rebuild. a soft sound or a clap of thunder..”
