In this case the speech is even more synthetic, a fuchsia "scribble" on which shapes
and signs are superimposed, always in search of a precarious balance. It is all a
formal search for balance.
From an initial chaos that I try to create in the most spontaneous and casual way, I
insert elements that give a compositional sense to the surface. A constant and infinite
overlapping and stratification of moments and experiences that simultaneously
cancel and add up to what lies below.
