My work tries to explore an infinite intermediate area where external and internal realities amalgamate. An area that Winnicott saw as a transition space, where an individual can assume the identity of a fictional character, intertwined with his own, without fear, consequences, or retaliation.
A safe space where I allow my paintings to fill up with reminiscences of an accident I suffered, using painting as a product of an ongoing investigation into the medium itself, and where the nature of an uncontrollable automatism of unconscious elements that swarm indecisively in each thought. This helps me to enter a transition space, where I can potentially understand the acts and decisions made by the painter.
I believe that is up to painters to decide what painting is and will be.
