With the concept of entertainmentized
“Earth/Earth Theater,” dramas occur among humans/organisms or living things
themselves are replaced with theatrical interpretation and applied to a
painting.
The method adopted as a substitute for
theatrical visual arts is the collage-like appearance (pasting and layering of
meaning/meaningless) on circus. Every shape of a chopped living creature is
reconstructed to be represented as an idol, and arranged as an object alone or
in a narrow space like a stage. The chopping action in these works is a type of
autopsy. By removing a meaning from individual parts, observing the possibility
of a shape, and reconstructing only shape and color things as a part of stylistic
beauty that was built into classical arts, crafts, and religious arts, it
glorifies the shape itself, released from the meaning or the role. This
anatomical collage is an act of quoting the mechanism of circus developed
through festiveness which affirms the existence of all on the stage by combing
various races and cultures freely, and affirms the interplay of play and life
which is contained in this world.
Description of this art work
"Something" located in the
center with black-and-white dots has two balls. That expresses twins with the
history of having killed one of the two as a cursed child in past Japan.
Patterned dresses expressed pagans in the history of the dress and ornaments of
Western Europe, and the color composition of this painting arranges the meaning
of the color of the religious painting of Christianity; the conceived person in
patterned dress is put on the artificial red object of the symbol of affection
and the blue of a holy color is located in heaven and earth, so it expresses
that artifacts and the natural environment, which are not humans, protect the
life of a person regarded as a pagan. It expresses the state of the present age
and near future in which various religions coexist.
