The flames were created using 3D animation software. The artist uses this program as her painting tool. The resulting digital... Read More
The flames were created using 3D animation software. The artist uses this program as her painting tool. The resulting digital artwork is ink-jetted onto fabric, giving it a tangible, physical presence.
With her desire for the raw spontaneity of spray paint, the artist consciously breaks through the glossy aesthetics of the digital image. This intervention combines analogue and digital painting into a harmonious color dance that transcends traditional boundaries.
The Flames questions supposed oppositions such as materiality and immateriality, uniqueness and reproduction, as well as perfection and immediacy.
