I avoid excessive content in paintings. I subject the viewer to a game with their own imagination and individual feelings.... Read More
I avoid excessive content in paintings. I subject the viewer to a game with their own imagination and individual feelings. I don't often tell what the painting represents, because I don't like to suggest specific associations. A painting is an impression, an impulse, reaching the recipient, who will find something moving in it. A painting is a load of my own emotions, which are very difficult to talk about. That is why I speak through it with colors and forms. I think that only when forced to define my art do I try to name it appropriately, but words cannot replace the impact of the painting itself. Talking about your emotions is very difficult, because we ourselves do not fully understand them. Why do I paint and destroy a painting? What path do I take to complete it? How do I know that the realization is already finished? It is a constant struggle with myself, waiting for the right emotions and isolating them from the world. This last stage is definitely the most difficult, but it is only in isolation that you notice your deepest feelings, emotions and desires.