The work presents two human
portraits, constructed by the oil stains in order to see the
dehumanization.
They have no face, no expression, but still,
there they are, watching.
The flat colors are a contrast,
expressing cleanliness and neatness.
The work is quite related
to the contemporary world, in which you no longer see faces or who is
watching you, you simply feel that you have shadows above you. People
are no longer people, so you have to represent the human being in a
different way, from another point of view.