This diptych work, composed of two P50 canvases, explores the way fragments of the world coexist within our perception.
Rather than depicting a single landscape or narrative, the work brings together organic forms, geometric structures, vivid colors, and ambiguous symbols. Plants, waves, eyes, birds, and light-like forms appear as fragments of nature, memory, and sensation, shifting between recognition and abstraction.
My practice is rooted in an interest in things that cannot be fully defined: atmosphere, rhythm, movement, emotion, and the invisible connections between ourselves and the world. Through layered composition and the tension between organic curves and graphic structures, the work suggests that reality is not experienced as something fixed, but as an accumulation of impressions, memories, and relationships.
