For me, landscape is not a representation of a place, but a record of an inner state. The pictorial space becomes a psychological space in which light, colour, and the rhythm of forms reflect emotions, tensions, and the experience of solitude. I am interested in landscape seen through the filter of memory and personal experience—not as an objective image of reality, but as a trace of human presence, of fears, longings, and moments of contemplation. Psychological landscape painting is an attempt to capture what is invisible, yet deeply felt.
