In the foreground, we find the material representation of the human, drawn in ink: his body, his wounds, his diagrams and his cells. In the background, we find the spiritual representation of the human, drawn in pastel.
The largest common part, that of the center, illustrates the trunk. The trunk is constantly moving: our cells work tirelessly. Thus, the mazes drawn in ink expose the mechanisms of the human body. The red line of energy borders the left of the body, representing the grounding of the being in its body temple. From bottom to right, the yellow energy diagonal illustrates the life force of the material body. Finally, the blue arrow penetrating the human body exposes the importance of infallible communication, otherwise the knight will lose his vitality by allowing himself to be reached by malicious words.
At the end of the trunk, in the lower center and in the center right, we can see his legs. The simplicity of the leg design illustrates the rigidity and straightness of healthy legs. Thus, the knight can always move without getting tired.
His two arms, one lengthwise from center left to bottom left, and the other from center right to upper right, have energy balls at their ends. These forces of power, drawn in pastel and in the background, represent the creative energy emanating from the hands. The left arm has divine (violet pastel) and clairvoyant (indigo pastel) strength. Given that we live in an age of identity and roles, the right arm – the majority of people are right-handed – has a creative, identity and sexual force (pastel orange), thus illustrating our definition of human in his community: individualism.
Finally, unlike the other parts of the body, the green pastel dominates the head of the knight, located in the upper center of the drawing. Represented by the color of love (still in the chakra theory), the head follows the needs of the heart. The heart, love and forgiveness dominate the choices of the knight who, without his beat, could not live and fight for the glory he seeks to embody. Drawn in ink, the material crowns the head all the same, because it remains essential to ensure a fluid and coherent circulation in the mechanical world of the head so that the knight lives healthily.
Poem (in French)
Le guerrier se présente à l’élection des croisements
Croisé au fer par son adversaire
Allié d’une vie passée qui l’a tant marqué
Mais jamais le chevalier ne pourra se reposer
Car, hanté par ses cauchemars et guidés par ses rêves
Il poursuit la quête de l’impossible
Persécute les démons qui l’habitent et l’assaillissent
Tout ce temps, latent en lui
Tout ce temps, marqué pour la vie