"Industrie del sole" investigates the continuous exchange between
image and ideology, not intended as a construction
arbitrary and particular, but as a narrative
all-encompassing that encompasses every difference and value. Search for
to show how the image in its appearance now
desymbolized and infinitely available, it is forced
at each step to confront a reality in which the
its symbolic or didactic function yes
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dissolves in an inventory of autonomous signs, in itself
standing, which continually refract the existing in
always new and contradictory codes. If the artistic act,
whatever it is, it cannot draw on any
declared truth, the subjective commitment remains a
remain in a question of meaning, in the renunciation of
rampant version that sees the old problem of the
relationship between reality and illusion overcome in favor of
unlimited virtual replication or that ultimately
assigns to art a function of pure inventory, of
feigned catharsis by an incapable mutilated subject
to retaliate in any way against a reality assumed as
pure given and therefore unchangeable.
