I feel death as a silent, almost physical presence that disrupts the will and clarifies the desire. I am not talking about fear, but about looking at what remains and what is to come, at the moment when time is thin.
For a year, I have explored what it is like to be in an undefined landscape without a
horizon. Through my lens, I created an allegory of life, using technology and
craftsmanship to grasp the world. This is an investigation into making the invisible
visible, transforming it into tangible layers. A window offers a glimpse of a future
landscape and evokes a direct, physical, sensory experience where perception, space,
and time coincide. Space is experienced as fragmented continuity: light as matter,
heartbeat as structure, and time as a prismatic line running through the eyes. The
landscape remains in flux, striving to convey a full spectrum of emotion, from
uncertainty to hope. In Time is part of this research.
