The concept of elements, dating back to around 500 B.C., was conceived to unravel the nature and complexity of matter. These elements were still widely accepted 350 years ago as an explanation for gravity when it was believed that objects had a natural tendency to return to their places of origin.
This notion of a "natural place" stemmed from ancient philosophy, where the cosmos was considered sacred, serving as a guide to the values of the time. It was a conception of perfection where everything and everyone had a predetermined place. This same concept of the cosmos resembled the idea of God that existed prior to Christian doctrine.
However, with the advancement of science, the idea of a perfect cosmos began to crumble. Not only did humanity lose its place in the world, but the world itself ceased to be recognized. Humanity lost its main anchor. The closed concept of a cosmos that harbored harmony and perfection transformed into a conception of a senseless, unfinished, and unknown world—a chaos where forces and objects collided without harmony. The perfect gave way to an infinite and undefined universe. The new philosophy makes everything uncertain, From this shift, we entered a phase well-illustrated by scientific development: nothing is absolute; everything must be tested and validated.
Everything is in constant motion. It is in this context that the Elements Series emerges. It uses precise geometric forms to create harmonious compositions, evoking the perfection of the previously mentioned cosmos. In contrast to this representation of perfection, the forms are filled with the imprecision of textures and abstract blends created with a palette knife. Each composition is unique, formed by various parts that come together to create a continuous visual experience. All pieces complement each other and are part of a whole. The frames are customized, becoming part of the artwork and reinforcing the idea that the universe represented therein transcends the canvases.
