Chaos is a visual reckoning with the instability of our times—a portrait of identity fragmentation.
It becomes not just a title, but a condition: a reflection of the collective confusion we inhabit, where the personal is political, the body is contested territory, and clarity is no longer possible.
In the composition, four figures emerge—some doubled or mirrored—caught between presence and disappearance. This reflects how people today are split across real and digital lives, borders, ideologies, and even within themselves. The central figure’s downward gaze, peering into a reflection, becomes a moment of impossible self-recognition.
Above them, disembodied arms and legs hover. These detached limbs evoke a global machinery that objectifies, fragments, and disorients bodies—through systems of migration, labor, and media.