Burnt Sun

自述：此画为作者主要代表作之一，着重强调一种对色彩的诉求，其风格独特显著。作者在制作之先不作预设，而是借助色彩冷暖和互补色之间的碰撞冲突，有意造就显而易见的逻辑断层及强加于人的印象。在增添几许神秘性的同时亦加重观者困惑。作者运用自创实验技术，借助脏损破毁等创意，以近乎粗野无序的技巧，甚至用高温枪来灼烧画面，以便达到赤红之下，连太阳也燃成灰烬的激烈效果，故名曰《糊太阳》。尤其在疫情频仍，冷战、热战纷乱交织，紧接着又陷入大小拥核国不断提出核威胁的当前时代，对陷入精神高度重压、情绪极端焦虑的地球东西方居民，利用该作品提出某种“末世”概念，带有废土美学的明显特质，所谓“废到极致，美入骨髓”，换句话说也就是负负得正。

Self-description: This painting is one of the master pieces created by the painter and it lays emphasis on the application of colours, with unique style. Without pre-setting before creation, the painter intends to create an obvious logical fault and obtrusive impression by means of the collision and conflict between the warmth and coldness shown by colours and the complementary colours. At the same time of adding a bit of mystery, it intensifies the viewers’ confusion. Using self-created experimental skills and the creation of dirty, damage and destruction, this painting aims to achieve the effect that even the sun is burnt using rough and disorderly technique. Moreover, even the heat gun is used to burn the painting so as to achieve the effect that even the sun is burnt in the situation of burning red, and the painting is named as Burnt Sun. Especially in the times when there is frequent occurrence of pandemic, both cold war and hot war, and the proposal of nuclear threat by both big and small countries possessing nuclear weapon, the works are used to put forward the concept of “eschatology” for the citizens in the eastern and western parts of the world who fall within high spiritual pressure and extremely emotional anxiety, which has the obvious characteristics of wasteland aesthetics. The so-called “waste to the extreme and beauty engraved into the bone marrow” also means that “two negatives make a positive”.