In Facades 35, the city is conceived as a layered organism that evolves through accumulation rather than expansion. Buildings overlap without hierarchy, creating a composition in which every element contributes to the stability of the whole. The repetition of modular forms does not suggest uniformity but adaptation, revealing how complex systems are built from countless individual components working together. The carefully balanced composition reflects the continuous transformation of urban environments, where permanence and change coexist. Rather than documenting architecture, the painting examines the invisible relationships that connect separate structures into a shared spatial experience, proposing the city as a living system shaped by cooperation, resilience, and constant negotiation.
Created through a meticulous masking process using acrylics on canvas, the work is built layer by layer with precision and patience. Every edge is carefully defined before the next colour is applied, allowing the composition to emerge through repetition, balance, and controlled execution.
