Deep I" can be read as the initiation point of the entire series—a moment where depth is not yet a... Read More
Deep I" can be read as the initiation point of the entire series—a moment where depth is not yet a burden, but a promise. The structure of the painting remains more open, and the layers of paint are clearly legible, as if the artist were testing the limits of the paper's absorption capacity and his own gesture. Space doesn't yet collapse inward; rather, it pulsates, breathes, and remains in a state of potentiality. A keen attention to process is evident here: the paint in places sinks in, in others lingers on the surface of the emulsion, creating a tension between flatness and the illusion of depth. This is a work about growth—not about the result, but about the first descent beneath the surface.