I try to capture the essence of the subject by using auxiliary lines and arrows. Although auxiliary lines and arrows are superfluous elements in painting and may be erased in the end, I try to leave them in their original state. This is an attempt to observe and capture the unique space that is created on the canvas by these elements used to observe the subject. This space is not a vector space (linear space) in mathematics, but a unique space developed on the canvas plane, a special space that is independent of each work and cannot be shared objectively. It is a special space that cannot be shared objectively and is independent of each work. The parts that need to be described in detail will naturally appear by viewing the unique space.
At this time, the subject to be painted is not important, and there is no message, story, or argument about it. The only thing that is on the canvas is the motive for painting. The purpose is not to illustrate my point. What is important is to reveal this unique space by following the traces of trial and error. Like the sonar of a submarine, I follow the traces of drawing and observe my choices, ignorance, evasion, compromise, etc., to make this unique space clear. I record directly on the canvas, as if I were mapping a new land, or following the tracks of wild animals. If I can capture what worked, what happened, what could not happen, and what I was afraid of when I was facing the canvas with my brush, I may discover the next possibility.
