The intervention is located
in the Gothic church of Squillace whose facade was affected by architectural
grafts made during the nineteenth century. Innesti
intends to bring out integrations already inherent in the place, underlining
them in their being a vehicle of light. The single-lancet windows were
in fact implanted in a subsequent phase of redefinition of use of the
structure, here interpreted as voids grafted into built blocks. The crossings
of these cracks, materialized in beams of light, spread in the space emphasizing
the voids.
