Different from the traditional logic of flattening three‑dimensional forms in Cubism and superimposing closed graphics in classic cartoons, I develop a reverse original design language:
Present three‑dimensional visual effects on multiple surfaces with abstract planar graphics, deconstruct panda and other animal images through open‑line cutting, and create unique visual symbols with minimalist color blocks.
It balances styling adaptability, production feasibility and series scalability, integrating avant‑garde design into daily handbags.