For many centuries, education was accessible only to privileged individuals, predominantly men, and knowledge was wielded as a tool of power. Those unable to read possessed a limited worldview, making them more susceptible to manipulation and undue influence. The rich content of books was outwardly demonstrated through lavish decorations. Even today, access to education remains unavailable in many parts of the world, and women's rights continue to be restricted.
The artworks "METAMORPHOSE I" and "METAMORPHOSE II" conceal two remarkably similar stories behind their embroidered Braille script, despite originating from different global regions. The messages within them also warrant critical examination from a modern societal perspective. These pieces specifically address "Cinderella" in the version by the Brothers Grimm and the "Afghan Cinderella." Tragically, Afghan women, in particular, are once again excluded from education and confined to narrow lives dictated by men.
The Braille script, decodable by only a small fraction of humanity, serves as a powerful symbol for the limitations experienced by individuals who cannot read or write. It demands considerable effort and deep interest to uncover the information contained within my artworks, which are inspired by old book pages. The content cannot be simply skimmed and understood by sight, causing the viewer to experience a sense of limitation. Ideally, this fosters empathy for the realities of people who are physically disabled or socially disadvantaged. In the best-case scenario, this leads to greater respect and recognition, coupled with the understanding that we, as a society, are responsible for making this one Earth equally livable for all its inhabitants.
Integral to these artworks are hand embroideries created by Afghan women and girls. Their contribution is of immense value, especially since these women face significant restrictions while working. For many, it's one of the few avenues in their lives where they can use their imagination to escape their harsh realities, even if only for a short time. Since the embroideries are compensated by the Guldusi-Project, it also provides monetary recognition, strengthening these women and girls.
Fairy tales are a widely used medium across all cultures to establish behaviors and norms. They also offer entertainment, providing a brief respite of peace and happiness, even when daily life and its realities are grueling. The Braille in these pieces serves as a reminder that even a privilege is not guaranteed forever. Small shifts in norms can quickly reverse one's favored position. Raising awareness that nothing should be taken for granted helps to foster understanding and interest in the fact that we share one planet and that norms are peculiar, artificially constructed concepts.
I believe "METAMORPHOSE I & II" resonates deeply with the contemporary challenges and aspirations of our global society, offering a visually compelling and intellectually stimulating experience. I'm eager to share how this work, alongside my other proposed pieces, contributes to a larger discourse on human resilience, cultural identity, and the pursuit of peace.
-Base fabric raw
cotton-linen, embroidery threads polyester, silk, viscose,
metallic-thread
-machine-embroidery in
satin stitch and others, readable-tactile-Braille-Dots. Executed
on
Barudan computerized embroidery machine. Embroidery data
created with EOS punch software.
-handstitched colorful
square from Afghan-women
The series consists of 2 pictures, each of which can be purchased separately. The price indicated refers to a single picture and must be multiplied by 2 if the series is purchased in its entirety.
