Born in the late 1950s, Ming is a large-format film photographic artist. At Shenzhen University, he began his artistic career. Ye Ming discovered a true affinity for photography while studying and majoring in the Media and Communication department. In the context...
Read More
Born in the late 1950s, Ming is a large-format film photographic artist. At Shenzhen University, he began his artistic career. Ye Ming discovered a true affinity for photography while studying and majoring in the Media and Communication department.
In the context of China's accelerated development of traditional Oriental culture and modernization process, Ye Ming is a gifted creative mind. To gracefully portray his artistic vision, he employs philosophical perceptions, postmodernist aesthetics, and semiotic communications.
The expression of subjective spirituality is emphasized in the artist's visual skill. To express complicated metaphors, he deliberately employs abstract symbolism. Individuals can achieve an ultimate spiritual consequence through self-redemption in Ye Ming's perspective, which creates a distinct ambience of pessimism and loss towards the exterior world. The artist presents his artistic hypothesis with the use of carefully picked speculative objects by creating an intricate scene design.