My artistic research focuses on the exploration of the unconscious and fluidity, conceived as a threshold into the imaginary. Currently a student at the Academy of Fine Arts in Florence, my practice has been deeply shaped by the study of...
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My artistic research focuses on the exploration of the unconscious and fluidity, conceived as a threshold into the imaginary. Currently a student at the Academy of Fine Arts in Florence, my practice has been deeply shaped by the study of diverse graphic traditions. In particular, discovering the practice of lithography radically transformed my approach, leading me to perceive fluidity not merely as a technical medium, but as the primary engine of my imagination.
Through the use of materials such as oil, bitumen, and shellac, I allow images to emerge spontaneously from the darkness of the matter. In this process, I have learned to relinquish rational control and position myself as a vector—a conduit through which hidden narratives and latent figures surface.
Inspired by dream logic and the capacity of matter to take on a physical form, I use painting to navigate the landscapes of my past experiences and personal traumas. The canvas thus becomes a psychological territory where silhouettes and fragments of scenes manifest in an embryonic state, suspended between the abstraction of the gesture and the definition of memory.